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Wedding Photographer Maringá, Paraná. Joel Rossi shares a wedding photography technique.

At Wedding Photography Select, we don't just want to show you the best images from the best wedding photographers around the world. We want to tell you a little story behind them as well. The idea, the execution, the result. As this section grows, we want to give you an in depth description of each of the shots taken by some of the very best wedding photographers. We hope it proves to be inspiring and insightful.

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Our work goes beyond the click of the camera, I try to get involved with the couple, always willing to do something different, always working together as a team on their wedding day. I try as much as I can to be discreet, my main intention always to capture the story of the couple.

Next the tree. I began to prepare my camera to take a couple of shots. When I had finished putting the lens on, I looked up at the couple and they were rehearsing their wedding dance, the waltz. I wasted no time to capture this moment that began to unfold before me and when they finished the dance, this was the image that was captured.

My biggest difficulty was not in the picture itself but entering private property without knowing who owned it or having permission.

It all happened very fast. The composition in my mind suited the silhouette the best, so I went with that.

5D mark III, f / 8, 1/200 s, ISO 100, the lens used for this photo was 24-105 mm, I tried to shoot upwards, trying to leave a very broad vision, and with a smaller aperture.

The post production was all done in Lightroom, I used some contrast, pulling over the blue color on top and a warm color to the bottom of the photograph.

I felt very happy with the result, as something quite natural and spontaneous, with beautiful colors, the couple fell in love with the picture. The result was fantastic.





Image By Marius Barbulescu

Marius Barbulescu

We had 2 hours for the photo-session. At the end of the session I realised we had some lovely images, but I wanted to get something different and something dramatic. I said to

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Image By Edgar Machado

Edgar Machado

The idea behind this photo came from the fact that the region in which I live in is undergoing deforestation. I used a mirror as the proposal to double the trees and their remo

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Image By Arnau Dalmases

Arnau Dalmases

I usually work with a 35mm lens and also with a 85mm in two different camera bodies. I'm using Canon right know. I like to be close to my subjects and play with the information lay

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