This shot was taken in-between courses of the couples wedding breakfast. I saw that the light was changing quickly as the sun went down and asked the couple to come outside with me
Wedding Photographer Romania. Cromatica Wedding Photography shares a wedding photography technique.
At Wedding Photography Select, we don't just want to show you the best images from the best wedding photographers around the world. We want to tell you a little story behind them as well. The idea, the execution, the result. As this section grows, we want to give you an in depth description of each of the shots taken by some of the very best wedding photographers. We hope it proves to be inspiring and insightful.
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Cromatica Wedding Photography
Most of the times a wedding photographer hasn't got the perfect light and space to take the amazing photos that people expect from him/her. This was the case here: a small, crowded, poorly lit beauty salon in a semi-basement.
My first reaction was fear, but I kept smiling :). My favorite lenses, 85 and 35mm seemed to be of no use there. I had to think outside the box. So I took a 24mm and went outside, hoping to find an interesting angle, use a reflection and then wait for something to happen. Sitting on the floor, I noticed I was not able to see very well through a string curtain, so I got in and moved the strings a bit. I went back outside and waited. I had the time to notice the bike reflected in the window and the people passing by.
Finally, the guy came outside the salon, passed by me and stopped in that doorway to drink his coke. I waited for the bride to do something and that was it. I knew I got a multi layered image that accurately reflected the atmosphere and was able to tell the story of that moment, with girls laughing and a politely bored guy waiting for them to get ready.
Experience finally taught me to wait.
Usual adjustments in post, contrast, curves and black and white processing.
My first reaction was fear, but I kept smiling :). My favorite lenses, 85 and 35mm seemed to be of no use there. I had to think outside the box. So I took a 24mm and went outside, hoping to find an interesting angle, use a reflection and then wait for something to happen. Sitting on the floor, I noticed I was not able to see very well through a string curtain, so I got in and moved the strings a bit. I went back outside and waited. I had the time to notice the bike reflected in the window and the people passing by.
Finally, the guy came outside the salon, passed by me and stopped in that doorway to drink his coke. I waited for the bride to do something and that was it. I knew I got a multi layered image that accurately reflected the atmosphere and was able to tell the story of that moment, with girls laughing and a politely bored guy waiting for them to get ready.
Experience finally taught me to wait.
Usual adjustments in post, contrast, curves and black and white processing.
We are wedding photographers Mike & Tom, a couple of storytelling adventurers. Wedding photography for us is a series of unforgettable moments stitched together with one very simp
I was born in 1977 in Italy, where I actually live. I've started taking photos when I was thirteen. Today I own a small studio in La Spezia, near Cinque Terre and Portovenere where
